(NOTE: This was originally published on Holly's Folly Bead Blog. I'm having so much fun with this class, I wanted to share it here too!)
I've been taking a workshop on Facebook (is there anything that doesn't go on there??) on finding my voice as a beadmaker led by Sylvie Lansdowne. It's meant to encourage lampworkers to find their own path and avoid copying others.
This is week two of my class and we were to interpret a painting of Sylvie's choosing...she chose 24 for the fifteen of us to pick one. I got to pick first (thanks to my being on FB all the time!). I chose this one by Ford Smith called Serenity Rising.
And here is my interpretation (front and back):
I went for a very literal interpretation and I love the results. I went for this option because I enter a monthly contest on Art Bead Scene and this year, we are interpreting famous paintings into finished jewelry. I've longed to be able to do a literal translation in glass but the inspiration paintings there never "spoke" to me in that way. But this one did...
I was exhilarating working on this bead in the flame for over an hour, praying it didn't all turn to crap. I made a crucial mistake halfway through by putting in my treetops before finishing the water and trunks... that ruined my hope of it looking two dimensional with a flat / painted surface. But in the end, I realized that was sort of silly and I love the dimension I ended up with.
I also love how the devit on the purple makes the back look like a two dimensional version of the front.
This project was fun and eye opening for me! I hope to be able to do more of these. I also LOVE that I have a new favorite painter!